Three-dimensional (3D) design in CCTV & Security

This is not meant to be a textbook on transmission but is intended to remove some of the mystery associated with various methods of transmission. Many approximations and simplifications have been used in writing this guide. This is to make the subject more understandable to those people not familiar with the theories. For general application in the design of CCTV systems it should be more than adequate and at least point the way to the main questions that must be addressed. The manufacturers of transmission equipment will usually be only too keen to help in final design.

This first part deals with the transmission of video signals by cables. Part 2 deals with the transmission of video signals by other methods such as microwave, telephone systems, etc. See chapter 9 for transmission over networks in more detail.The choice will often be dictated by circumstances on the location of cameras and controls. Often there will be more than one option for types of transmission. In these cases there will possibly be trade offs between quality and security of signal against cost. This diagram could now include transmission by IP metworks.

Video Signal
The essential components of the video signal are covered in Chapters two and three. Certain aspects that are related to the effective transmission of those signals are repeated in this chapter where it is necessary to save continuous cross-reference.
Synchronising
The video signal from a TV camera has to provide a variety of information at the monitor for a correct TV picture to be displayed. This information can be divided into: Synchronising pulses that tell the monitor when to start a line and a field; video information that tells the monitor how bright a particular point in the picture should be; chrominance that tells the monitor what colours a particular part of the picture should be (colour cameras only).

Bandwidth
The composite video output from the average CCTV camera covers a bandwidth ranging from 25Hz to 5MHz. The upper frequency is primarily determined by the resolution of the camera and whether it is monochrome or colour. For every 100 lines of resolution, a bandwidth of 1MHz approximately is required. Therefore, a camera with 600 lines resolution gives out a video signal with a bandwidth of approximately 6MHz. This principle applies to both colour and monochrome cameras. However, colour cameras also have to produce a colour signal (chrominance), as well as a monochrome output (luminance). The chrominance signal is modulated on a 4.43MHz carrier wave in the PAL system therefore a colour signal, regardless of definition, has a bandwidth of at least 5MHz.

Requirements to Produce A Good Quality Picture
From the above it will be obvious that to produce a good quality picture on a monitor, the video signal must be applied to the monitor with little or no distortion of any of its elements, i.e. the time relationship of the various signals and amplitude of these signals. However in CCTV systems, the camera has to be connected to a monitor by a cable or another means, such as Fibre Optic or microwave link. This interconnection requires special equipment to interface the video signal to the transmission medium. In cable transmission, special amplifiers may be required to compensate for the cable losses that are frequency dependent.

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